Yesterday, RadioPublic released the first versions of its iOS and Android apps (available on Apple iTunes here and Google Play here). RadioPublic’s mission as a Public Benefit Corporation is to “help listeners discover, engage with, and reward the creators of podcasts and other audio.” This is also their strategy and roadmap. The team is starting with discovery, and will be layering in engagement next, followed by rewards — both for producers and listeners themselves. Discovery is at the heart of this first RadioPublic release, and is part of their vision for rethinking radio in the mobile world.
RadioPublic wants to give producers ways to enhance their presence in the RadioPublic app without having to invest in another custom publishing platform, or in one-off features that require real effort with dubious effect. The team has a variety of useful extensions in the works that drive discovery, engagement, and monetization, and a few that are ready for you to take advantage of right now, including gateway episodes, podcast playlists, show endorsements, and series play order. Read about how to get started here.
The app is focusing on curated playlists as one avenue for discovery. The curated episode playlists cover a myriad of topics, activities, moods, genres, artists, publishers, and networks. The team has assembled hundreds of their own, and has invited tastemakers everywhere to use their curatorial expertise and brand to help listeners get to the good stuff.
Each playlist is a feed you can follow, and acts both as a mixtape to listen through, and a collection of jump off points. The playlists live on the web as well, so they’re easy to share, link to, and soon to embed in publishers’ and podcasters’ sites.
Get a deep dive into all the app’s feature on RadioPublic’s blog, and download the app today in iTunes and Google Play.
In this edition of Inside the Podcast Studio, we chat with Honolulu Civil Beat, a team behind the new Offshore podcast. The show tells stories of Hawaii beyond the paradise it’s normally perceived as. Hear from Patti Epler, Offshore‘s editor, about how the show was conceived and what’s next.
On the Podcast
Tell us about Offshore and what makes it unique
Offshore strives to tell stories from Hawaii that will resonate with listeners not only locally but on the mainland too, and even globally. The idea is that Hawaii is not all paradise, not all beaches and waterfalls and rainbows. There’s a very complex cultural mix here, for one thing, and being in the middle of the Pacific Ocean presents many challenges. Residents are constantly trying to figure out how to get along in this small space. Other places can learn from what Hawaii is going through. The show is built around multi-episode seasons, so each season follows a single theme but is broken into 6-10 episodes that drop weekly. Each episode is about 30 minutes.
How did the podcast come to be?
Civil Beat is a small but ambitious nonprofit news website, and we are always looking to innovate and find creative ways to tells stories and engage readers. We are basically print reporters who have moved into the online space and have graduated to multimedia efforts like video and audio. We started podcasting a few years ago with a basic hosted interview show called Pod Squad. But we wanted to find a way to do in-depth, long-form storytelling in an audio format. So we started developing some ideas, eventually connected with PRX and formed this really cool partnership that has become Offshore.
How is the team at Civil Beat structured?
Our reporter/host/producer is Jessica Terrell. She was our education reporter but got drafted into podcasting after a big series in which she spent three months in a homeless village. We produced a 30-minute podcast to supplement the written package (which has now won numerous national and regional awards, by the way). She was the natural pick for this show, and has a great voice that everyone seems to love!
Our assistant producer is April Estrellon. She’s also our exceptionally talented multimedia producer: she works with video, audio, online graphics, and more. She’s also the producer of Pod Squad and about the only person in the newsroom who knows what to do when something goes wrong with our computers or internet.
Our executive producer is Ben Adair who you probably already know. He’s a very talented, very experienced former NPR editor and producer. He’s working with us on the first couple of seasons and has been coming to Hawaii periodically for training. We essentially had little or no experience with audio storytelling, audio equipment or editing tools when we started this project. Ben has been a great teacher and coach.
I’m the editor so I get involved in the overall concept for the show, the seasons, and the episodes. I mainly give advice.
How did you choose the stories for season 1?
Season 1 is called “A Killing in Waikiki.” It looks at race and power through the lens of two killings, 80 years apart. In each case a Native Hawaiian man was shot and killed by a white person in a position of authority. One story is from 1932, about a Navy officer who killed a native Hawaiian man, at a time when the US military basically ran this place. The second story, from 2011, involves a federal State Department agent in town as diplomatic security, again killing a local man. There have been a lot of police killings of people of color on the mainland. The sense is that racial tensions are on the rise, and why can’t we all just get along? Let’s learn from Hawaii, the most multicultural state, which people view as some sort of post-racial paradise.
It’s where every other state is heading as minority populations grow and become dominant. Hawaii has never had a white majority. There is a lot of animosity between all races here, especially involving Native Hawaiians who have been kind of surpassed by other big ethnic groups—the Japanese, Filipinos, Chinese, Koreans, and whites. It’s very hard to just get along with each other.
What is your thought process behind presenting controversial topics like in season 1?
That’s actually just part of the job, right? As journalists we report on contentious issues and people with problems pretty much every day. And Civil Beat in particular is an investigative and watchdog news outlet. We are very respectful of Hawaiian culture because it is a big part of life here in the islands. We strive to be polite but persistent.
What makes your show ideal for the podcast format?
In-depth audio storytelling works well here. There are so many different voices that you never actually hear—the melting pot is a very real thing with a mix of all sorts of ethnicities and values. The islands have a lot of great stories to tell, whether its the clash of science and culture (coming in Season 2), or being right in the middle of climate change, or trying to become sustainable both in food production and energy. A podcast can be very a powerful medium, especially when examining an issue in depth. It goes beyond what you can do with terrestrial radio or even online written stories.
On the Space
Where do you literally record your work? Can you walk us through the space?
We have a small-ish sound studio called a whisper room that we had shipped over from the mainland. You can never find this stuff in Hawaii so it always has to come from 2,500 miles away. Which is not cheap. Our whisper room arrived in 60 pallets and boxes and our staff put it together over a weekend. Beyond that we work at our desks in the middle of the newsroom.
How do you record your show? What type of equipment does your team use?
We use ProTools for recording and editing in studio, hooked up to an Mbox which hooks to an Apple computer.
We generally use a shotgun mic and a Zoom field recorder.
What can the podcast medium achieve that other media forms like broadcast cannot?
I like the fact that people can listen to podcasts on their own time frame. You don’t have to tune in at a certain time, so the impact is greater. You have people who actually are trying to hear and concentrate on what you’re saying.
What do you think makes a great podcast host? Tell us more about Jessica and what makes her unique
Jessica has a great personality and a great voice for this kind of thing. First and foremost she is an excellent journalist. She has a great interview style and a great way with people, so as a host she comes across as informed friend, someone who is helping you understand what’s going on. Jess has a very interesting backstory too, which is probably what makes her such a good reporter and writer. You can read more about her in the series she did on the homeless called The Harbor. She grew up homeless herself, in a traveling family band. Her dad took them all over the country, all over the world really, in this sort of vagabond lifestyle. She learned a lot about a life that most of us never experience.
How do you envision the future of the podcasting landscape?
I think podcasting will continue to grow as more people discover great shows. Like everything else, the finances will shake out and productions that are obviously putting in effort and energy (and thus resources) will float to the top of the rankings. I think it’s very cool that outfits like RadioPublic are developing the kinds of tools that will enhance the podcast experience for people and make it very useful. That should bring even more listeners and hopefully more revenue potential, so podcast producers can stay in business.
The Heart, made by Kaitlin Prest and Mitra Kaboli, won top honors this weekend as the gold winner for Best Documentary at Third Coast International Festival. The winning piece is an episode called Mariya, which chronicles Mariya Karimjee’s experience with female genital mutilation, how she deals with it personally and broaches a conversation with her family.
Learn more about the event in this NPR interview with festival executive director Johanna Zorn. Zorn said:
“The production is very subtle. It’s mostly music in the background that takes us from, you know, one chapter of her life to the next. And it’s beautifully done. It gives us space to think about what is happening and for us to, perhaps for a very short time, you know, be in her shoes.”
Current also published a press release reporting on all the winners. Huge congratulations to The Heart! Check out more pictures of the event in our Facebook album.
Welcome to the fourth edition of Remix Features! If this is your first time reading, let me explain: PRX Remix is a curated, randomized, never-ending channel featuring the best stories from podcasts, radio shows, and independent producers. As the Remix curator, I’m constantly adding new work to the mix, which is now more than 3,000 stories strong. This blog series brings you some of my new favorites.
This month, I’m sharing three stories about humans interacting with the natural world. They range from a love story between a man and his donkey as they walk across a continent, to the profile of a photographer who specializes in capturing dilapidated farmhouses, to a story of human navigation before the advent of GPS technology.
“Hoofprints On The Heart” from HumaNature
The backstory here is that Jon Dunham walked from Oregon to the tip of South America. An impressive feat? Absolutely. But I wasn’t convinced that his long walk would make for a great story.
I was wrong. The talented producers of HumaNature, a podcast from Wyoming Public Radio, expertly carved a story out of Jon’s experience. It became a love story between the unlikeliest duo: Jon and a donkey he named Judas. Before joining forces with Judas, no one would approach Jon, a lone gringo walking through foreign land. Once Judas was in the picture, though, everyone was excited to meet Jon and his unusual traveling companion. Judas also served as Jon’s guardian angel, showing him which plants were safe to eat and even protecting him from jaguars encroaching on their campsite at night.
The duo trekked together from Mexico to Brazil and, along the way, even managed to cause a widely reported international incident between Panama and Colombia due to a border crossing snafu. Jon and Judas became inseparable, their remarkable relationship the heart of this story.
Alternatingly funny, profound, and heartbreaking, “Hoofprints On The Heart” delivers a road trip tale unlike any you’ve heard before.
In “Farm Noir,” we join KFAI reporter Britta Greene as she follows Patrick Judd on a unique photoprahy expedition. Judd photographs dilapidated farms with an infrared filter—a peculiar hobby, for sure. He’s a big fan of the film noir aesthetic, so he loves the look of the crumbling farms, the beauty of the manmade structures returning to the earth. He’s also motivated by a profound belief in ghosts.
With each camera snap, feeling equal parts excitement and apprehension, he hopes to catch a glimpse of the farmhouses’ former inhabitants.
Greene does a great job channeling the skepticism a listener might feel by pushing Judd to describe his pursuit of the paranormal in terms everyone can understand, even those who don’t believe in ghosts. We learn that he toils away at his day job during the week, and his extracurricular ghost hunting expeditions give his weekends a sense of purpose.
This is a great example of a short arts feature done well—natural sound, an interesting character, and the added element of mystery.
In today’s world, we take navigation for granted. Roads and trails are marked with extensive signage, GPS spits out directions with the push of a button, and even physical maps and compasses are now ultra-modern. This story from New Hampshire Public Radio’s Outside/In podcast explores the fascinating, and once essential, skill of navigation using nothing but the natural world.
Host Sam Evans-Brown takes us on a serious journey in under 25 minutes. First we go back thousands of years to when the Polynesians first developed the ingenious navigation system at the heart of the story. Then we jump to the 1970s, when the Polynesian’s navigation tradition had almost been lost with time. But, as Evans-Brown puts it, a “hodgepodge of Hawaiian anthropologists and adventurers” banded together to revive the practice. We then take a deep dive into the actual practice of becoming a master navigator using only the natural world. Among many other tactics, it involves learning the position of over 100 stars and measuring your hands against the horizon.
The piece closes by connecting natural navigation to our own lives and the way we think about the world today. Trying to figure out which direction you’re facing at any given moment—without modern tools—is incredibly hard to do in our technology-dominated society. But Evans-Brown asks us to consider what’s lost when we don’t even try.
This is a complicated but well-told story. It feels effortless to listen to, even though there’s many different threads woven in to build the narrative arc. It’s a truly engrossing tale of adventure, tradition, and lessons we can learn from the natural world, if only we paid closer attention. A highly-recommended listen.
How To Listen to PRX Remix: Download the PRX Remix app or go to prx.mx and press ‘play’. If you’re a satellite radio kind of person, check out channel 123 on Sirius XM or XM radio. If you’re a traditionalist and stick to the radio dial, check these listings to find Remix on a station near you.
Josh Swartz is the curator of PRX Remix. Email him at email@example.com with questions and suggestions.
In March, Radiotopia launched Podquest, an open call for new podcast ideas, aiming to grow and diversify the network, nurture fresh talent, and reach new audiences. 1,537 people from 53 countries submitted ideas about every topic under the sun.
Radiotopia executive producer Julie Shapiro led a committee of 11 PRX staff and Radiotopia producers in reviewing the entries. 99 Radiotopia donors also reviewed the top 50 entries. Ultimately, the field was narrowed to 10 impressive semifinalists, and later four finalists in June. For the past five months, the finalists have been working on pilot episodes, which were judged by our esteemed committee.
Today, the journey, which started seven months ago, is complete as Radiotopia announces the winner of Podquest: Ear Hustle. Ear Hustle is a unique partnership between Earlonne Woods and Antwan Williams, currently incarcerated at San Quentin State Prison, and Nigel Poor, a collaborator and artist living on the outside. The show unveils the hidden stories of life inside prison, told and produced from the perspective of those who live it. Ear Hustle dives into true, compelling first-person narratives that are difficult, honest, funny, poignant and real, while revealing a more nuanced view of the people serving time in American prisons.
The show is produced in San Quentin’s media lab, where work is done for video and audio projects at the prison, and includes computers, microphones, keyboard for sound design and scoring, Pro Tools licenses, headsets, and more. There are about 12 men who work there, filming various events that happen in the prison and producing radio stories about life inside that air on Crosscurrents on KALW 91.7. Ear Hustle evolved from the work done on Crosscurrent in conjunctionwith the San Quentin Prison Report, which is a multi-media project started by Troy Williams, a man formerly incarcerated at San Quentin.
Ear Hustle aims to tell stories about life inside prison, including the good and the bad. The stories will look at the daily experience of life behind bars, and also dig deep into the reasons people commit crimes and end up in prison. Episode topics will range from pets, fashion and cooking in prison, to stories about restorative justice programs, correctional officers, and profiles of people who work for victim’s rights organizations. Earlonne Woods is a co-creator, co-host and co-producer of EarHustle. Earlonne is 45 years old, from LA, and is serving a 31-years-to-life sentence for attempted second degree robbery. Before starting his current sentence he was a struggling parolee but dreamt of going to film school.
Antwan Williams is the co-creator and sound designer for Ear Hustle, and also creates original hand-drawn artwork for each episode. He’s 28 years old, also from LA, and serving a 15-year sentence for armed robbery with a gun enhancement. Antwan has always been creative and dreamt of having a life in the arts: he’s a dancer, musician, artist, and designs his clothes by altering the official prison blues.
Nigel Poor is the co-creator, c-ohost, and co-producer for Ear Hustle. She is also an artist and professor of photography at California State University, Sacramento. In 2011, Nigel got involved with the prison as a volunteer teacher for the Prison University Project. The project runs a college preparatory program and an Associate of Arts degree program at San Quentin, and in 2015 it received a National Humanit ies Medal from President Obama. Ear Hustle plans to donate a percentage of all of their proceeds to the Prison University Project.
“We are beyond excited to be Podquest winners. My hope is that Ear Hustle can help show that people inside and outside the prison system can work together as colleagues,” said Nigel Poor. “We want to lead by example, and demonstrate that people with different backgrounds and experiences can actually come together and produce important work. Ear Hustle is not just a creative project. It is actually teaching men viable skills and showing the world the effect of rehabilitation, and that change is possible. I hope our project shows the potential for a different story about people who are incarcerated.”
Radiotopia will pick up the first 10-episode season of Ear Hustle, debuting later in 2017. Ear Hustle will use the proceeds from their prize to create their show, and to significantly upgrade the equipment at the San Quentin media lab.
“I was beyond impressed with the range of creative ideas submitted to Podquest from so many talented entrants,” said Julie Shapiro, executive producer of Radiotopia. “Narrowing down to just four finalists was nearly impossible, and then deciding one winner amongst them even harder. The heart and passion that Ear Hustle brought to their pilot episodes, combined with the unique and important stories they aim to share, ultimately moved us to choose them as the Podquest winner. What they accomplished under difficult circumstances is really quite amazing—working inside a prison with no internet, limited working hours, and limited team communication. We’reexcited to help bring Ear Hustle into the world, and for listeners to hear stories and perspectives they’ve never heard before.”
Listen to Ear Hustle’s audio trailer here, and visit the Third Coast Festival in Chicago, Nov 11-13, where Nigel will be available at the Radiotopia booth for interviews and to discuss the show.
About Radiotopia Radiotopia, from PRX, is a curated network of extraordinary, talent-driven shows. Radiotopia empowers independent producers to do their best work, grow audience and increase revenue. At its core, Radiotopia cultivates community — for both listeners and makers alike.
Podquest is one of a series of initiatives funded by a $1 million grant received in May 2015 from the John S. and James L. Knight Foundation. Podquest is additionally supported by Hindenburg Systems, the media talent network AIRmedia.org, and Blue Microphones.
Five Things invites some of today’s most talented and successful producers, artists, writers and thinkers to share five things —audio, visuals, books, objects or something else entirely — that have shaped their creative practice over time, and inform how they approach their work now.
To kick off the series, Julie welcomed Roman Mars (host and creator, 99% Invisible) to share his five.
Number One: Murder Can Be Fun, a zine by John Marr
“[John Marr] wrote these long, really well researched stories about death and crime and mayhem in very cool ways, and I was really impressed by them. When I was devising my first show in 2002 (it was called Invisible Ink) I wanted to create a punk rock This American Life. I wanted a zine-based This American Life. So I called it Invisible Ink: a Radio Zine, and John Marr was on my first episode. Zines crafted who I am and how I told stories.”
“After I got into the idea of making radio, it was at a time whenThis American Life was really going gangbusters and everyone I knew wanted to go work for Ira. But Benjamen and I wanted to run our own shows, and we found each other through Julie [Shapiro]. This is the weirdest story but [Benjamen] found my website, I called him the next day because I got his number from Julie, and he thought I could tell he was on my website. Which explains a lot about Benjamen Walker…
I just loved the way he was, he was so weird. I was also a really big fan of Joe Frank, but he was Joe Frank for my generation. I actually related to him more than I related to Joe.”
“It made me think, you can do architecture on the radio if you tell the right story. In fact, you might even be able to do it better.
My visceral reaction to [the Montgomery Ward tower], which has sort of a ho-hum modernism… it didn’t really do it for me. But the story does it for me, and therefore the building does it for me. That was hugely instrumental.”
Number Four: POTUS Challenge Coin
“It’s nice to have a thing. I need it for my nervous disposition.”
“When Hrishi [Hirway] was independent and started Song Exploder, he had just left another group and was figuring out what to do and everyone was courting him. I said to him, ‘But our label is the Dischord label’, and that’s what put him over the edge. He actually said yes to another network and then backed out. I knew the way to his heart! For people who know, Dischord is really meaningful to us, and luckily Hrishi is one of the people who knew.”
About Roman Mars
Roman Mars is the host and creator of 99% Invisible, a short radio show about design and architecture. With over 120 million downloads, the 99% Invisible podcast is one of the most popular podcasts in the world. Fast Company named Roman one of the 100 Most Creative People in 2013. He was a TED main stage speaker in 2015, currently the most popular TED Talk about design, with over 3.5 million views. His crowd funding campaigns have raised over $2 million and he’s the highest-funded journalist in Kickstarter history. He is also a co-founder of Radiotopia, a collective of ground-breaking story-driven podcasts.
“99% Invisible…is completely wonderful and entertaining and beautifully produced…”
— Ira Glass, This American Life
About Julie Shapiro
Julie Shapiro is the executive producer of Radiotopia from PRX — a curated network of extraordinary, cutting-edge podcasts. From 2014–15, she was the executive producer of the Australian Broadcasting Corporation’s Creative Audio Unit. In 2000 she co-founded the Third Coast International Audio Festival, where as artistic director, she prioritized innovative audio and a cross-pollinating international listening culture. Shapiro has taught radio to university students, presented at conferences all over the globe, and produced stories for the airwaves and podcasts in the US and beyond. You can find her on twitter @jatomic.
On this edition of Inside the Podcast Studio, we get some time with Nick van der Kolk, creator of the Love + Radio podcast. The show recently returned from a hiatus to drop its fifth season, with an opening episode plot twist that caused a flurry of reactions from fans on social media. Learn how Nick, based in Richmond, VA, both conceptualizes and creates the show.
On the Podcast
Tell us about how the podcast came to be. What makes it unique?
I felt like there was a vacuum in the public radio universe for a non-didactic show that invited the audience to interpret things for themselves. I started Love + Radio because no one else seemed to want to make that type of show.
Where do you find stories for the show? How do you typically find the characters presented in each episode?
All over the place. Sometimes we feature stories that have been covered before in the media, but we feel we can offer our own unique spin on them (like A Girl of Ivory).
Sometimes it’s complete serendipity, like when I met magician Eva Julia Christiie while stomping through an abandoned circus building in Moldova. Increasingly, we’ve relied on outside pitches from the very vibrant international community of radio producers.
What is your philosophy on presenting edgy material? Have you ever gotten backlash or excitement around an episode?
I don’t really have a philosophy of edginess: I just make the stories that I’m interested in. If people want to interpret them as edgy, then they’re free to do that. But people who think that’s the defining characteristic of the show are mistaken. I turn down a lot of pitches that have sensationalist elements because there isn’t much more to the story besides those elements. I think A Red Dot, produced by Steven Jackson and Chloe Prasinos, divided a lot of people; I can’t think of another episode that was praised and critiqued on so many different levels. I consider that a good thing.
You have a pretty minimal presence in the show itself, is that by design?
Yes. I want to remind people that there is a guiding hand behind what they’re hearing, but I want all attention on the subject, not me.
What makes your show ideal for the podcast format?
As much as I’ve always considered myself a ‘radio guy’, I really cut my teeth in audio production through podcasts. The slow narrative builds, the subtler sound design elements that require headphones, the honest conversation about adult topics, are all things that are made possible (or at least much, much easier) through podcasts.
Moreover, I think audio generally has one big advantage over visual media: by stripping the visual element, I believe the audience isn’t as prone to come to a snap judgment of someone. It invites them in.
On the Space
Where do you literally do your work? Can you walk us through that space?
I have a studio downstairs from my apartment that I share with my wife, who’s an artist and animator. My work primarily involves moving pixels around on a glowing rectangle, so her side is far more interesting to look at. I record my host tracks in a soundproof closet, which, considering I used to do it under my duvet, feels obscenely professional.
Do you have a thinking of reflection space? Somewhere you go outside the studio to gather creative inspiration?
I go for walks around Richmond’s Belle Island, just down the hill from me, or I get cocktails at L’Oppossum (depending on how badly my day went).
How do you envision the future of the podcasting landscape?
People say we’re in a golden age of podcasting, which I think is more accurate than a lot of folks realize. The golden age of Hollywood (1930-1960) was a period when the basics of narrative film had been established. There are obviously lots of great movies from that era, but I’ve always personally gravitated toward what came later in the 60s and 70s, when major studios began supporting unconventional structure with a more comfortable relationship with moral ambiguity (à la Taxi Driver, Bonnie and Clyde, etc). I’m looking forward to when we reach that period in podcasting.
Subscribe to Love + Radio in iTunes, and check out the latest episode, out today, called Upper Left.
Radiotopia is proud to announce The Bugle as our 16th show. The podcast is the ultimate pan-global audio home of international satire. It’s a weekly eruption of comedic comment about the world’s most, and least, important news stories.
The Bugle will relaunch with it’s new season today. Since 2007, the show has been co-hosted transatlantically by John Oliver and Andy Zaltzman to well over a million monthly downloads. John Oliver (The Daily Show, Last Week Tonight), has reluctantly retired after almost 300 episodes. The new season will instead see Andy Zaltzman joined by a rotating cast of the world’s leading satirists and comedians, including Wyatt Cenac and Hari Kondabolu from the US, Anuvab Pal from India, and, from the UK, Nish Kumar and Andy’s multi-podcast-award-winning sister Helen from The Allusionist.
This comes on the heels of adding The West Wing Weekly to our network just last month. Co-hosted by Hrishikesh Hirway (of Song Exploder) and acclaimed actor Joshua Malina, the podcastis an episode-by-episode discussion of the beloved serial political TV drama, TheWest Wing. These two new shows are amazing additions to the network. They align closely with our mission to support the best independent and entrepreneurial-driven talent in podcasting, and uphold top quality content across our shows. They also allow us to explore a new content direction, evolve as a network, and expand our global audience.
Radiotopia Welcomes the West Wing Weekly and The Bugle to its Award-Winning Podcast Lineup
Cambridge, MA (October 24, 2016) —PRX, the award-winning public media company, is excited to announce the addition of two new shows to Radiotopia’s podcast network lineup: The West Wing Weekly, co-hosted by Hrishikesh Hirway (of Radiotopia’s Song Exploder) and acclaimed actor Joshua Malina; and The Bugle, a satirical comedy podcast, founded by John Oliver and Andy Zaltzman. The West Wing Weekly and The Bugle join Radiotopia favorites like 99% Invisible, Criminaland Millennial to bring the total number of podcasts in the network to 16.
The West Wing Weekly is an episode-by-episode discussion of the beloved serial political TV drama, TheWest Wing. Launched earlier this year, The West Wing Weekly podcast quickly built a vibrant and active fanbase as it covered season one of the television show. Season two launched on September 28th with a double episode, featuring special guest series director/exec producer Tommy Schlamme and actor Bradley Whitford, who played Josh Lyman on the show. Going far beyond television recaps, The West Wing Weekly takes a deep dive into the real-life issues explored in the television series, from gun control to veterans’ health. Guests have included West Wing stars Richard Schiff, Dulé Hill and Janel Maloney as well as real-life Washington D.C. politicians including Press Secretary Jay Carney and Senator Chris Coons, among others.
Approaching politics and news from another angle altogether is the second new Radiotopia podcast, The Bugle, whose new season launches today, October 24th. Describing itself as “the ultimate pan-global audio home of international satire,” The Bugle’s weekly podcast casts a keen eye on the most—and least—important news stories worldwide through its unique comedic lens. Launched as a podcast in October 2007, The Bugle, co-hosted transatlantically by long-term collaborators John Oliver and Andy Zaltzman, boasts over a million monthly downloads. Co-founder John Oliver (The Daily Show, Last Week Tonight), the American-based half of The Bugle, has reluctantly retired from Bugle duty after almost 300 episodes. This season, Andy Zaltzman will remain host and be joined by a rotating cast of co-hosts from the world’s leading satirists and comedians, including Wyatt Cenac and Hari Kondabolu from the US, Anuvab Pal from India, and, from the UK, Nish Kumar and Andy’s multi-podcast-award-winning sister Helen Zaltzman of Radiotopia’s The Allusionist.
“Bringing on The West Wing Weekly and The Bugle is an exciting development for Radiotopia,” said Julie Shapiro, executive producer of Radiotopia. “The decision is in keeping with our mission to support the best independent and entrepreneurial talent in podcasting, and to uphold top quality content across our shows. These shows help us expand into new areas of entertainment, political news and satire, which will ultimately help strengthen the Radiotopia brand and bring new audiences to all shows within the network.”
PRX is excited to announce the launch of its latest partnership: Christopher Kimball’s Milk Street Radio. The show forages the world to bring culinary insights and recipes to listeners, while telling interesting stories about the food we eat. It also shares simpler, more streamlined techniques for home-prepared meals.
Kimball, the popular founder of Cook’s Illustrated will co-host the show with Sara Moulton, host of public television’s Sara’s Weeknight Meals. Other regular guests include The Sporkful host Dan Pashman, New Yorker writer Adam Gopnik, Upshot writer Aaron Caroll, and Stephen Muse, an expert on the history of food and wine.
The inaugural episode, Good Morning Vietnam, drops tomorrow. It takes listeners inside a Vietnamese kitchen, exploring breakfast banh mi and the practice of kheo, or cooking with intent. The episode also covers unscrambling eggs, visiting a thriving Syrian refugee camp bakery, and rethinking nonstick pans.
In addition to listening on the radio, you can also can experience the new Milk Street via podcast and their magazine. To get a taste of what’s coming, check out the show on Facebook, Instagram, and Twitter.
Milk Street Radio will launch on the following radio stations: WHYY (Philadelphia, PA), WGBH (Boston, MA), KJZZ (Phoenix, AZ), KOSU (Oklahoma City, OK), WXXI (Rochester, NY), WKSU (Kent, OH), Prairie Public Radio (Fargo, ND), KCHO (Chico, CA) and KAXE (Grand Rapids, MN).
Honolulu Civil Beat and PRX have are proud to announce Offshore, a new podcast that explores stories from our 50th state that give you a different view of America, away from the mainland.
Aside from natural disasters, Hawaii Five-O and dream vacation planning, most of the U.S. doesn’t often think of Hawaii and the great stories rooted there.
Hawaii has a complicated history. It was an island kingdom that became a US territory, and then a state. It’s filled with debates over sovereignty, nationhood, island and tribal identity, and being a true ‘outsider.’
The first Offshore episode is reported by Jessica Terrell of Civil Beat. It focuses on the racial and sovereignty dynamics surrounding two crimes separated by decades. One, the killing of a native Hawaiian man by a State Department security agent. The other, a crime on the eve of WWII: the alleged abduction and rape of a Navy officer’s wife by a group of native men, one of whom ended up being killed during the case.
Both stories are emblematic of the complex and charged relationships between the mainland US government, a largely white government, and native Hawaiians who have their own strong identity separate from being US citizens.
Ben Adair is the talented executive producer of the show and also pitched in on some of the recording.
Listen and subscribe to Offshore today! Stations interested in airing the episodes or excerpts, check out the first show here.